Claire Bishop

Gebundenes Buch

Disordered Attention

How We Look at Art and Performance Today

Beschreibung

How technology and the attention economy has impacted contemporary art

Autor

Claire Bishop is Associate Professor in the History of Art department at the CUNY Graduate Center, New York. She is the author of Installation Art: A Critical History; Artificial Hells: Participatory Art and the Politics of Spectatorship; and editor of Participation. in 2008 she co-curated the exhibition "Double Agent" at the ICA. She is a regular contributor to Artforum, October, Tate Etc, IDEA, and other international art magazines.

Produktdetails

• Verlag: Durnell Marston / Verso US
• Artikelnr. des Verlages: 9068
• Seitenzahl: 265
• Erscheinungstermin: 11. Juni 2024
• Englisch
• Abmessung: 210mm x 143mm x 26mm
• Gewicht: 353g
• ISBN-13: 9781804292884
• ISBN-10: 1804292885
• Artikelnr.: 69122475

Rezensionen

Today, the most contemporary art form could be called cancelism. Cancelism as an art historical genre reflects the global shift to populism, disinformation and polarization. Cancelism is anonymous, crowd based, ubiquitous, it privileges affect over analysis, it goes beyond traditional understandings of left and right. In her lucid analysis, Claire Bishop traces some of the historical developments that led to this situation: the futurist glorification of disruption, countercultural interventions based on the model of coup d´états, artivist decisionism - different threads through which disruption and transgression were consolidated as key modes of production from Silicon Valley to Pussy Riot. For anyone who wants to understand how art functions in the age of populism, Bishops book is an indispensable guide. Hito Steyerl, author of Duty Free Art