Die Facezien
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âDie Facezienâ is a collection of witty and satirical anecdotes offering a glimpse into the social and political life of 15th-century Italy. Authored by Poggio Bracciolini, a prominent humanist of the Italian Renaissance, these tales present a vibrant tapestry of personalities, from Pope Eugenius IV and Cardinal Niccolò Niccoli to everyday citizens of Florence, Genoa, and Milan. The stories, originally written in Latin, showcase Bracciolini's sharp wit and keen observations of human nature. They touch upon various themes including the follies of the clergy, the vanity of the wealthy, and ...
âDie Facezienâ is a collection of witty and satirical anecdotes offering a glimpse into the social and political life of 15th-century Italy. Authored by Poggio Bracciolini, a prominent humanist of the Italian Renaissance, these tales present a vibrant tapestry of personalities, from Pope Eugenius IV and Cardinal Niccolò Niccoli to everyday citizens of Florence, Genoa, and Milan. The stories, originally written in Latin, showcase Bracciolini's sharp wit and keen observations of human nature. They touch upon various themes including the follies of the clergy, the vanity of the wealthy, and the humorous predicaments of ordinary people. Readers will encounter tales of clever Florentines, Genoese tricksters, and even a stubborn donkey, all contributing to a rich portrayal of Renaissance society. This edition makes Bracciolini's work accessible to a wider audience, preserving the spirit and humor of the original text for modern readers. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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