Karl Pestalozzi
Gebundenes Buch

Dichtung als verborgene Theologie im 18. Jahrhundert

Lavaters religioses Drama "Abraham und Isaak" und Schillers Operette "Semele"

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The second half of the 18th century brought new currency to Martin Opitzâ??s dictum that poetry is â??concealed theologyâ? at its root. Johann Caspar Lavaterâ??s drama â??Abraham and Isaacâ? (1776) turns the biblical narrative into an exemplary illustration of his unshakeable conviction that man can affect Godâ??s decisions through faith and prayer. In Friedrich Schillerâ??s â??Semeleâ? (1779) the question of Godâ??s credible self-disclosure to humans proves to be a kind of concealed theology.