Death of the First Idea
Poems
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Erscheint vorauss. 9. September 2025
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"From Whiting Award-winner Rickey Laurentiis, a mythic, lyric, decade-in-the-making new collection of masterful poems that probe the meanings of trans/formation and re-creation, a new classic about gender and love. When Rickey Laurentiis debuted in 2015 with Boy With Thorn, the poetry world heralded the arrival of an astonishing new lyric talent. "Call Rickey Laurentiis' stylistic range virtuosity or call it correctly, necessity," Terrance Hayes wrote. In the past decade, as Laurentiis has transitioned, her ideas of the lyric and poetry have transformed, as has the America in which she lived. ...
"From Whiting Award-winner Rickey Laurentiis, a mythic, lyric, decade-in-the-making new collection of masterful poems that probe the meanings of trans/formation and re-creation, a new classic about gender and love. When Rickey Laurentiis debuted in 2015 with Boy With Thorn, the poetry world heralded the arrival of an astonishing new lyric talent. "Call Rickey Laurentiis' stylistic range virtuosity or call it correctly, necessity," Terrance Hayes wrote. In the past decade, as Laurentiis has transitioned, her ideas of the lyric and poetry have transformed, as has the America in which she lived. This staggering, irreverent, gentle and erotic book is a record of that ten-year journey. It draws on, expands, and then fractures the many poetic traditions which informed Laurentiis' poetics-from Greek odes and early Black Spirituals to the work of Whitman and Dickinson and the midcentury cinematic icon, The Lady Chablis. Then, brick by brick, she builds them anew and makes them her own. She maps a path onto the contradictions, precarity, and revelry of her hometown, "New Orleans / As that modern text, witnessed, and revised, by the light as radically / As by the water, which is history, which slip / Thru your hands. This city is a ghost for hire." With this as her frame, Laurentiis meditates on what it means to be trans and Black in this nation and in her own body, when both demarcations are often excuses for violence. She goes further, examining pleasure and deep-felt pain, in a rhythmic, wild embrace of life, an act of spirit work and self-grace"--
