Cyclopedia Of Motion-picture Work
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"Cyclopedia Of Motion-picture Work" is a comprehensive reference work covering the early days of motion picture technology and theater management. This book delves into a wide array of topics, including optical lanterns, motion heads, specific projecting machines, and the burgeoning field of talking pictures. Readers will discover detailed information about color motography, fixed camera photography, and the art of creating photo-plays. Intended as a general reference, this volume offers insights into the operation and management of motion-picture theaters, reflecting the state of the industry...
"Cyclopedia Of Motion-picture Work" is a comprehensive reference work covering the early days of motion picture technology and theater management. This book delves into a wide array of topics, including optical lanterns, motion heads, specific projecting machines, and the burgeoning field of talking pictures. Readers will discover detailed information about color motography, fixed camera photography, and the art of creating photo-plays. Intended as a general reference, this volume offers insights into the operation and management of motion-picture theaters, reflecting the state of the industry at the time of its publication. It provides a valuable glimpse into the historical development of film as both an art form and a commercial enterprise, making it a fascinating read for historians, film enthusiasts, and anyone interested in the evolution of visual media. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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