Crossed Histories
Gae Aulenti, ADA Louise Huxtable, Phyllis Lambert on Architecture and the City
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The transformative influence of three pioneering women on the development of the postmodern city. > All three share an ambivalent relationship with the concrete-and-steel architecture of the post-World War II modern movement, which was widely criticized in the 1960s for being alienating, standardized and anhistorical.Ada Louise Huxtable, through her articles in the New York Times architecture column; Gae Aulenti, with her conversion of the Gare d'Orsay into a museum and the Piazzale Cadorna in Milan; and Phyllis Lambert, with her philanthropic work and the founding of the Canadian Centre for A...
The transformative influence of three pioneering women on the development of the postmodern city. > All three share an ambivalent relationship with the concrete-and-steel architecture of the post-World War II modern movement, which was widely criticized in the 1960s for being alienating, standardized and anhistorical.Ada Louise Huxtable, through her articles in the New York Times architecture column; Gae Aulenti, with her conversion of the Gare d'Orsay into a museum and the Piazzale Cadorna in Milan; and Phyllis Lambert, with her philanthropic work and the founding of the Canadian Centre for Architecture in 1979. Architecture is no longer seen through the prism of aesthetics, but through that of the cultural and environmental enhancement of public spaces. Through documentary and archival images, this catalogue documents this turning point in architectural history, when modernity returned to the architectural values of the past and the existing built environment. It also takes a more individual and biographical approach, crossing the paths of three women who played a major role in the construction of the post-modern city.
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