Craniofacial Anatomy and Forensic Identification
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Our bodies record what happens to us physically throughout our lives. This is illustrated by the simple appearance of scars from injuries sustained years, and even decades ago. Evidence such as scars also tells us how we used our joints or may have injured them as children and adults. Our bodies conform to the environment in which we live, both outside and inside. By examining and observing these key clues, a forensic investigator can reveal the unique character that tells the story of a person's life and death.Craniofacial Anatomy and Forensic Identification is an atlas that covers all aspect...
Our bodies record what happens to us physically throughout our lives. This is illustrated by the simple appearance of scars from injuries sustained years, and even decades ago. Evidence such as scars also tells us how we used our joints or may have injured them as children and adults. Our bodies conform to the environment in which we live, both outside and inside. By examining and observing these key clues, a forensic investigator can reveal the unique character that tells the story of a person's life and death.
Craniofacial Anatomy and Forensic Identification is an atlas that covers all aspects of facial reconstruction and anatomy of the head and neck, such as facial expression and the anatomic basis for facial development, along with the effects of muscle movement. Written by a world-renowned forensic artist with decades of experience as a scientific illustrator as well as a portraitist, anthropologist, and lecturer in anatomy and biology, the author is as much ascientist as an artist.
Craniofacial Anatomy and Forensic Identification is an atlas that covers all aspects of facial reconstruction and anatomy of the head and neck, such as facial expression and the anatomic basis for facial development, along with the effects of muscle movement. Written by a world-renowned forensic artist with decades of experience as a scientific illustrator as well as a portraitist, anthropologist, and lecturer in anatomy and biology, the author is as much ascientist as an artist.
