Child Murder and British Culture, 1720 1900
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McDonagh examines the idea of child murder in British culture in the eighteenth and nineteenth centuries.In this wide-ranging study, Josephine McDonagh examines the idea of child murder in British culture in the eighteenth and nineteenth centuries. Analysing texts drawn from economics, philosophy, law, medicine as well as from literature, McDonagh highlights the manifold ways in which child murder echoes and reverberates in a variety of cultural debates and social practices. She places literary works within social, political and cultural contexts, including debates on luxury, penal reform camp...
McDonagh examines the idea of child murder in British culture in the eighteenth and nineteenth centuries.
In this wide-ranging study, Josephine McDonagh examines the idea of child murder in British culture in the eighteenth and nineteenth centuries. Analysing texts drawn from economics, philosophy, law, medicine as well as from literature, McDonagh highlights the manifold ways in which child murder echoes and reverberates in a variety of cultural debates and social practices. She places literary works within social, political and cultural contexts, including debates on luxury, penal reform campaigns, slavery, the treatment of the poor, and birth control. She traces a trajectory from Swift's A Modest Proposal through to the debates on the New Woman at the turn of the twentieth century by way of Burke, Wordsworth, Wollstonecraft, George Eliot, George Egerton, and Thomas Hardy, among others. McDonagh demonstrates the haunting persistence of the notion of child murder within British culture in a volume that will be of interest to cultural and literary scholars alike.
Table of content:
List of illustrations; Acknowledgments; Note on text and abbreviations; Introduction: Plots and protagonists; 1. Child murder and commercial society in the early eighteenth century; 2. 'A squeeze in the neck for bastards': the uncivilised spectacle of child-killing in the 1770s and 1780s; 3. 1789/1803: Martha Ray, the mob, and Malthus' mistress of the feast; 4. 'Bright and countless everywhere': the new poor law and the politics of prolific reproduction in 1839; 3. 'A nation of infanticides': child murder and the national forgetting in Adam Bede; 6. Wragg's daughters: child murder towards the Fin-de-Siècle; 7. English babies and Irish changelings.
In this wide-ranging study, Josephine McDonagh examines the idea of child murder in British culture in the eighteenth and nineteenth centuries. Analysing texts drawn from economics, philosophy, law, medicine as well as from literature, McDonagh highlights the manifold ways in which child murder echoes and reverberates in a variety of cultural debates and social practices. She places literary works within social, political and cultural contexts, including debates on luxury, penal reform campaigns, slavery, the treatment of the poor, and birth control. She traces a trajectory from Swift's A Modest Proposal through to the debates on the New Woman at the turn of the twentieth century by way of Burke, Wordsworth, Wollstonecraft, George Eliot, George Egerton, and Thomas Hardy, among others. McDonagh demonstrates the haunting persistence of the notion of child murder within British culture in a volume that will be of interest to cultural and literary scholars alike.
Table of content:
List of illustrations; Acknowledgments; Note on text and abbreviations; Introduction: Plots and protagonists; 1. Child murder and commercial society in the early eighteenth century; 2. 'A squeeze in the neck for bastards': the uncivilised spectacle of child-killing in the 1770s and 1780s; 3. 1789/1803: Martha Ray, the mob, and Malthus' mistress of the feast; 4. 'Bright and countless everywhere': the new poor law and the politics of prolific reproduction in 1839; 3. 'A nation of infanticides': child murder and the national forgetting in Adam Bede; 6. Wragg's daughters: child murder towards the Fin-de-Siècle; 7. English babies and Irish changelings.