Charlemagne, ou, L'Église DÃ(c)livrÃ(c)e
PAYBACK Punkte
12 °P sammeln!
âCharlemagne, ou, L'Ãglise DÃ(c)livrÃ(c)eâ is an epic poem in twenty-four cantos by Lucien Bonaparte, first published in 1815. This ambitious work reimagines the reign of Charlemagne, intertwining historical events with themes of religious liberation and imperial power. Bonaparte, brother of Napoleon, crafts a sweeping narrative that explores the complexities of Charlemagne's legacy and his role in shaping medieval Europe. The poem offers a dramatic and romanticized vision of the past, reflecting the literary tastes and political sensibilities of the early 19th century. It will appeal to ...
âCharlemagne, ou, L'Ãglise DÃ(c)livrÃ(c)eâ is an epic poem in twenty-four cantos by Lucien Bonaparte, first published in 1815. This ambitious work reimagines the reign of Charlemagne, intertwining historical events with themes of religious liberation and imperial power. Bonaparte, brother of Napoleon, crafts a sweeping narrative that explores the complexities of Charlemagne's legacy and his role in shaping medieval Europe. The poem offers a dramatic and romanticized vision of the past, reflecting the literary tastes and political sensibilities of the early 19th century. It will appeal to readers interested in epic poetry, French history, and the Napoleonic era. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
