Catland
Feline Enchantment and the Making of the Modern World
Versandkostenfrei!
Sofort lieferbar
16,99 €
inkl. MwSt.
Weitere Ausgaben:
PAYBACK Punkte
8 °P sammeln!
_Shortlisted for the Pol Roger Duff Cooper Prize_A Times and Sunday Times Book of the YearA Wall Street Journal Book of the YearA Spectator Book of the YearA Times Literary Supplement Book of the YearA New Yorker Book of the Year_Some called it a craze. To others it was a cult. Join prize-winning historian Kathryn Hughes to discover how Britain fell in love with cats and ushered in a new era.'Smart, gorgeously written cultural history' TLS'Delightful' Guardian'Excellent' Spectator'Joyous cultural history' The Times'He invented a whole cat world' declared H. G. Wells of Louis Wain, the Edwardia...
_Shortlisted for the Pol Roger Duff Cooper Prize_
A Times and Sunday Times Book of the Year
A Wall Street Journal Book of the Year
A Spectator Book of the Year
A Times Literary Supplement Book of the Year
A New Yorker Book of the Year
_Some called it a craze. To others it was a cult. Join prize-winning historian Kathryn Hughes to discover how Britain fell in love with cats and ushered in a new era.
'Smart, gorgeously written cultural history' TLS
'Delightful' Guardian
'Excellent' Spectator
'Joyous cultural history' The Times
'He invented a whole cat world' declared H. G. Wells of Louis Wain, the Edwardian artist whose anthropomorphic kittens made him a household name. His drawings were irresistible but Catland was more than the creation of one eccentric imagination. It was an attitude - a way of being in society while discreetly refusing to follow its rules.
As cat capitalism boomed in the spectacular Edwardian age, prized animals changed hands for hundreds of pounds and a new industry sprung up to cater for their every need. Cats were no longer basement-dwelling pest-controllers, but stylish cultural subversives, more likely to flaunt a magnificent ruff and a pedigree from Persia. Wherever you found old conventions breaking down, there was a cat at the centre of the storm.
Whether they were flying aeroplanes, sipping champagne or arguing about politics, Wain's feline cast offered a sly take on the restless and risky culture of the post-Victorian world. No-one experienced these uncertainties more acutely than Wain himself, confined to a mental asylum while creating his most iconic work. Catland is a fascinating and fabulous unravelling of our obsession with cats, and the man dedicated to chronicling them.
'Through humour, elegance and sheer knowledge, Hughes builds something remarkable' Literary Review
'If a Louis Wain cat were reading this book, he would raise his topper in tribute' The Times
'Catland is a tour de force of (cat) history: sleek, elegant and razor-sharp when needed' History Today
'Excellent ... Hughes reveals a fascinating, forgotten aspect of late Victorian and Edwardian Britain: how the British fell in love with felines' Daily Mail
'An entertaining and often surprising cultural history ... typically delivered in an inviting spirit of delight' New Yorker
A Times and Sunday Times Book of the Year
A Wall Street Journal Book of the Year
A Spectator Book of the Year
A Times Literary Supplement Book of the Year
A New Yorker Book of the Year
_Some called it a craze. To others it was a cult. Join prize-winning historian Kathryn Hughes to discover how Britain fell in love with cats and ushered in a new era.
'Smart, gorgeously written cultural history' TLS
'Delightful' Guardian
'Excellent' Spectator
'Joyous cultural history' The Times
'He invented a whole cat world' declared H. G. Wells of Louis Wain, the Edwardian artist whose anthropomorphic kittens made him a household name. His drawings were irresistible but Catland was more than the creation of one eccentric imagination. It was an attitude - a way of being in society while discreetly refusing to follow its rules.
As cat capitalism boomed in the spectacular Edwardian age, prized animals changed hands for hundreds of pounds and a new industry sprung up to cater for their every need. Cats were no longer basement-dwelling pest-controllers, but stylish cultural subversives, more likely to flaunt a magnificent ruff and a pedigree from Persia. Wherever you found old conventions breaking down, there was a cat at the centre of the storm.
Whether they were flying aeroplanes, sipping champagne or arguing about politics, Wain's feline cast offered a sly take on the restless and risky culture of the post-Victorian world. No-one experienced these uncertainties more acutely than Wain himself, confined to a mental asylum while creating his most iconic work. Catland is a fascinating and fabulous unravelling of our obsession with cats, and the man dedicated to chronicling them.
'Through humour, elegance and sheer knowledge, Hughes builds something remarkable' Literary Review
'If a Louis Wain cat were reading this book, he would raise his topper in tribute' The Times
'Catland is a tour de force of (cat) history: sleek, elegant and razor-sharp when needed' History Today
'Excellent ... Hughes reveals a fascinating, forgotten aspect of late Victorian and Edwardian Britain: how the British fell in love with felines' Daily Mail
'An entertaining and often surprising cultural history ... typically delivered in an inviting spirit of delight' New Yorker
Andere Kunden interessierten sich für
