Carl Zuckmayer Criticism: Tracing Endangered Fame
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Short description/annotationCritical survey of the most significant scholarly literature devoted to the neglected German playwright Carl Zuckmayer.Main descriptionCarl Zuckmayer (1890-1971) ranks with Bertolt Brecht and Gerhart Hauptmann as one of the most popular and significant German dramatists of the twentieth century; The Merry Vineyard (1925), marking the end of German Expressionism, his comedy The Captain of Köpenick (1931), a scathing satire of German militarism, and The Devil's General (1946), about a Nazi general and German resistance, are among the most frequently performed plays i...
Short description/annotation
Critical survey of the most significant scholarly literature devoted to the neglected German playwright Carl Zuckmayer.
Main description
Carl Zuckmayer (1890-1971) ranks with Bertolt Brecht and Gerhart Hauptmann as one of the most popular and significant German dramatists of the twentieth century; The Merry Vineyard (1925), marking the end of German Expressionism, his comedy The Captain of Köpenick (1931), a scathing satire of German militarism, and The Devil's General (1946), about a Nazi general and German resistance, are among the most frequently performed plays in German theatrical history. Wagener traces the development of Zuckmayer criticism from reviews to general assessments, from a biographical approach to the New Criticism and finally feminist criticism, paying particular attention to the role of the Carl Zuckmayer Society in the critical discourse about this neglected author.
Critical survey of the most significant scholarly literature devoted to the neglected German playwright Carl Zuckmayer.
Main description
Carl Zuckmayer (1890-1971) ranks with Bertolt Brecht and Gerhart Hauptmann as one of the most popular and significant German dramatists of the twentieth century; The Merry Vineyard (1925), marking the end of German Expressionism, his comedy The Captain of Köpenick (1931), a scathing satire of German militarism, and The Devil's General (1946), about a Nazi general and German resistance, are among the most frequently performed plays in German theatrical history. Wagener traces the development of Zuckmayer criticism from reviews to general assessments, from a biographical approach to the New Criticism and finally feminist criticism, paying particular attention to the role of the Carl Zuckmayer Society in the critical discourse about this neglected author.
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