Can spectators become co-authors in the process of a story narrative?
An exploration of the relationship between perceptions of spectators and narratives of authors in moving images
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This book explores the areas of human perception and story narrative in moving images. Engaged by the research question, Can spectators become co-authors in the process of a story narrative? , the research focuses on exploring the co-existence and contradiction between the values of spectators and an author in a process of a narrative by developing a new potential narrative approach with multiple perspectives. I hypothesise that spectators could participate with the story narrative process as co-authors. My key method is to engage with spectators participation within a narration (story) by dis...
This book explores the areas of human perception and story narrative in moving images. Engaged by the research question, Can spectators become co-authors in the process of a story narrative? , the research focuses on exploring the co-existence and contradiction between the values of spectators and an author in a process of a narrative by developing a new potential narrative approach with multiple perspectives. I hypothesise that spectators could participate with the story narrative process as co-authors. My key method is to engage with spectators participation within a narration (story) by displaying story fragments across multiple screens simultaneously. The potential of having a story spread across multiple screens might bring further interest to authors to re-think the notion of a spectator and tell a story with multiple perspectives in a narrative process with spectators.
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