Camp (Style)
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Camp is an aesthetic sensibility wherein something is appealing because of its bad taste and ironic value. The concept is closely related to kitsch, and campy things are described as being "campy" or "cheesy". When the usage appeared, in 1909, it denoted: ostentatious, exaggerated, affected, theatrical, and effeminate behaviour, and, by the middle of the 1970s, the definition comprised: banality, artifice, mediocrity, and ostentation so extreme as to have perversely sophisticated appeal. American writer Susan Sontag's essay Notes on 'Camp' (1964) emphasised its key elements as: artifice, frivo...
Camp is an aesthetic sensibility wherein something is appealing because of its bad taste and ironic value. The concept is closely related to kitsch, and campy things are described as being "campy" or "cheesy". When the usage appeared, in 1909, it denoted: ostentatious, exaggerated, affected, theatrical, and effeminate behaviour, and, by the middle of the 1970s, the definition comprised: banality, artifice, mediocrity, and ostentation so extreme as to have perversely sophisticated appeal. American writer Susan Sontag's essay Notes on 'Camp' (1964) emphasised its key elements as: artifice, frivolity, naïve middle-class pretentiousness, and shocking excess. Camp as an aesthetic has been popular from the 1960s to the present, and arguably peaked in the decades of the 1970s, 1980s, and to some extent the1990s as well. Camp films were popularised by filmmakers George and Mike Kuchar, Andy Warhol, and John Waters, including the latter's Pink Flamingos, Hairspray and Polyester. Celebrities that are associated with camp personas include drag queens and performers such as Dame Edna, Divine (Glen Milstead), RuPaul, and Liberace.
