Brunetes, ou, Petits airs tendres, avec les doubles et la basse-continue
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"Brunetes, ou, Petits airs tendres" is a collection of French vocal music, specifically 'airs tendres' or tender airs, designed for both listening and dancing. This third volume includes the melodies, their variations ('doubles'), and the 'basse-continue, ' or basso continuo, essential elements of baroque compositions. Published in 1703, this work by Christophe Ballard offers insight into the popular musical styles of the French court and society during the late 17th and early 18th centuries. These pieces provide valuable resources for understanding the performance practices and aesthetic pref...
"Brunetes, ou, Petits airs tendres" is a collection of French vocal music, specifically 'airs tendres' or tender airs, designed for both listening and dancing. This third volume includes the melodies, their variations ('doubles'), and the 'basse-continue, ' or basso continuo, essential elements of baroque compositions. Published in 1703, this work by Christophe Ballard offers insight into the popular musical styles of the French court and society during the late 17th and early 18th centuries. These pieces provide valuable resources for understanding the performance practices and aesthetic preferences of the period. Its enduring appeal lies in its representation of a vital part of French musical heritage. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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