Bridging Artistic Boundaries: Exploring Ekphrasis
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The relationship between painting and literature has often been examined as separate art forms, with limited attention given to the transformation of paintings into literary texts. This research seeks to bridge this gap by exploring these two art forms' expressive and communicative similarities and delving into their interconnectedness as deconstructed languages. The focus is on William Carlos Williams' adaptation of Pieter Bruegel's painting "The Fall of Icarus" in his poem, investigating the "what," "how," and "why" behind this transformation from one art to another. To analyze this process,...
The relationship between painting and literature has often been examined as separate art forms, with limited attention given to the transformation of paintings into literary texts. This research seeks to bridge this gap by exploring these two art forms' expressive and communicative similarities and delving into their interconnectedness as deconstructed languages. The focus is on William Carlos Williams' adaptation of Pieter Bruegel's painting "The Fall of Icarus" in his poem, investigating the "what," "how," and "why" behind this transformation from one art to another. To analyze this process, Linda Hutcheon's theory of adaptation, particularly her perspective on transcoding, is employed alongside various critical definitions of Ekphrasis. By studying the adaptation of a painting into a literary work, this research aims to shed light on the intricate relationship and shared elements between painting and literature, providing a deeper understanding of their interplay and artistic possibilities.
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