Mary E Weems

Gebundenes Buch

Blackeyed

Plays and Monologues

Beschreibung

Winner! Emerging Artist Award (Literature) from the 2015 Cleveland Arts Prize (May 2015) Blackeyed is a collection of plays and monologues. The topics covered in the book include housing and foreclosure, suicide, assault, mental health, the Black male experience, and more. The book intersects with critical race theory because the majority of this work positions race at the center of the experiences of the fictional or fictionalized characters. Embedded in these chapters are the interweaving of personal and ancestral stories, news reports, informal conversations, observations, interviews, and online research expressed in language unapologetically Black, critical, reflexive, and proud. Blackeyed can be used as a class text in theatre, education, creative writing, communication, women's studies, sociology, and African American studies undergraduate and graduate courses. It can also be used by theatre practitioners, including actors and directors, working in community, regional and national theatre settings. Individuals including qualitative researchers interested in exploring more affective possibilities or arts-based researchers can also read this collection as an example of methodological exemplar. Finally, anyone interested in the Black experience as well as the specific topics covered in this book can read this collection of plays as one might read a collection of short stories. "Weems' resonant poetic voice shines through the characters in bursts of dialect and nuance. Human conflict, racial undertones and the struggle for civil and human rights reverberate. If one were to attempt to connect with a glimpse of the lives of African Americans in this country absent from classroom history books and the limited cinematic mainstream depictions, Blackeyed is perfect starting point. In all of its admitted "messiness", it provides context, perspective, form and substance. Through it all, the spirit of cultural authenticity is woven through the fabric of these narratives, perhaps unbeknownst to its author, connecting the DNA of the ancestors who planted the seeds of exposition in a griot long before her awareness of their existence. In the Now, they are undoubtedly marveling at the flower that blooms much to the delight of those exposed to its hauntingly tragic beauty." - Vince Robinson "Dr. Mary Weems exhibits her best writing through monologic and poetic forms in this intriguing collection of short dramatic works about African American experiences. Multiple voices showcase their characters' struggles, humor, and triumphs through realistic and expressionistic modes. You don't just "read" her dialogue; you hear it on the page. Weems' writing styles are fluid, haunting, angry, poignant, and arresting. This is exciting theatrical work by one of qualitative inquiry's most notable and important voices." - Johnny Saldaña, Professor Emeritus, Arizona State University, Author of Ethnotheatre: Research from Page to Stage "Mary Weems exemplifies literary arts-based inquiry practice in her new collection of plays, monologues and poems on the Black experience. She mines memory, history and auto/ethnography to craft pieces that are equal parts affective and effective. Affective in terms of their emotional impact and as acts of deep empathy. Effective in the ongoing struggle for social justice, equality and freedom. Weems shows us what risk-taking looks like in creative analytic practice: herwork embodies what Jonathan Lear calls "radical hope" as she insistson an ethical and caring stance in the face of cultural devastation. Read and learn." - Monica Prendergast, University of Victoria, Co-Editor, Poetic Inquiry: Vibrant Voices in the Social Sciences "In this rare and precious work, Mary Weems takes the reader into the lives of myriad human, abstract and material others, who capture our attention and imagination, pulling us into their personal-political worlds. We feel their breath and their blood, their passions and their longings; we know their disappointments, their anger, their love. Weems's writing does this for us. Tackling urgent social and political issues through/with finely-wrought characters, Weems' book, in its power and its craft, leaves us changed. Something shifts." - Jonathan Wyatt, The University of Edinburgh, Author of Always in thresholds, Departures in Critical Qualitative Research, 3, 1, 8-17 "It was fantastic, powerful, and intellectually rich. I love the way it connected disciplines; humanities, social sciences. It was a very liberal arts performance with a multidisciplinary perspective." - Denison University President Adam Weinberg, on Dr Mary Weems' performance of "Black Notes" at the DU campus on Martin Luther King Day 2016. ("Black Notes" is Dr Weems' one-woman play, which features several excerpts from her book Blackeyed).

Autor

Dr. Mary E. Weems' plays and/or excerpts have been published and/or produced since 1997. In 2009 an excerpt of her play "At Last," which she performed with Dr. Elaine Richardson aka as Dr. E, was part of the Ingenuity Festival. In June, 2009 her monologue "Rainwater," part of a fulllength play titled Wearing Rainbows, was one of 11 short plays selected for the "Queer Shorts 4" Playfest in Madison, Wisconsin. In 2002 her piece "Woman in the Tree," was part of the University of Louisville's 6th Annual Juneteenth Festival of New Works, her play Another Way to Dance won a 1998 Cleveland Public Theater's Chilcote Award. Weems' play Move to the Back of the Bus, a 45-minute overview of the Civil Rights Movement was produced by Young Audiences from 1998 through 2007. Weems' work Wearing Rainbows and Numbers were produced as part of the Cleveland Public Theater's Big Box series of new play in 2007. Currently Mary Weems is seeking production possibilities for Closure about the foreclosure crisis told from the perspective from the objects left behind, which opened the 2010-11 season at Karamu, Blink a play about diversity on a college campus produced at John Carroll University twice in 2013 under the direction of Dr. Karen Gygli and Michael Oatman, Playwright in Residence at Karamu respectively, A Conversation after a Funeral about a meeting between Emmett Till and Anne Frank at Till's funeral, which Weems is also directing, currently touring the Greater Cleveland area for the second year, and for Meat which explores the murders of eleven Black women in her hometown Cleveland, Ohio. Dr Weems is also the winner of the "Emerging Artist Award (for Literature)" from the 2015 Cleveland Arts Prize (May 2015) Website: http: //maryeweems.org

Produktdetails

• Verlag: Brill
• Seitenzahl: 194
• Erscheinungstermin: 1. Januar 2015
• Englisch
• Abmessung: 234mm x 156mm x 13mm
• Gewicht: 449g
• ISBN-13: 9789462099166
• ISBN-10: 9462099162
• Artikelnr.: 41972364