Beethoven's ... Oratorio, Called The Mount Of Olives A Grand Selection, And A Cantata Entitled The Liberation Of Germany, To Conclude With The Grand Battle Sinfonia. Theatre Royal, Drury-lane, May 13, 1815
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This program commemorates a performance at the Theatre Royal, Drury Lane, on May 13, 1815, featuring selections from Ludwig van Beethoven's oratorio, "The Mount of Olives," a cantata entitled "The Liberation of Germany," and concluding with the "Grand Battle Sinfonia." This event highlights the powerful and emotive qualities of Beethoven's work, showcasing his oratorio alongside patriotic compositions. "The Mount of Olives," known for its dramatic narrative and spiritual depth, is complemented by the celebratory themes of liberation and triumph in the other pieces, reflecting the historical co...
This program commemorates a performance at the Theatre Royal, Drury Lane, on May 13, 1815, featuring selections from Ludwig van Beethoven's oratorio, "The Mount of Olives," a cantata entitled "The Liberation of Germany," and concluding with the "Grand Battle Sinfonia." This event highlights the powerful and emotive qualities of Beethoven's work, showcasing his oratorio alongside patriotic compositions. "The Mount of Olives," known for its dramatic narrative and spiritual depth, is complemented by the celebratory themes of liberation and triumph in the other pieces, reflecting the historical context of the time. This program offers a glimpse into the musical landscape of early 19th-century London, where Beethoven's compositions were celebrated for their innovation and grandeur. It provides valuable insight into the reception of Beethoven's music during his lifetime and its enduring appeal. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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