To create great photographs, the photographer must understand color. "Basics Photography: Capturing Colour" guides beginning photographers through the basics of color theory and explains how humans perceive color, the color of light, how to use filtration and white balance, how to use color to generate dynamic images, and how to successfully translate captured color into the photographic print. Fully illustrated with clear and concise diagrams and inspiring photographs, this is an ideal book for photographers at every level who want to master color in order to create their own exciting images.…mehr
To create great photographs, the photographer must understand color. "Basics Photography: Capturing Colour" guides beginning photographers through the basics of color theory and explains how humans perceive color, the color of light, how to use filtration and white balance, how to use color to generate dynamic images, and how to successfully translate captured color into the photographic print. Fully illustrated with clear and concise diagrams and inspiring photographs, this is an ideal book for photographers at every level who want to master color in order to create their own exciting images. * Color theory, plus how to use color * More than 200 stunning full-color photos * Clear, concise diagrams
Phil Malpas is a freelance photographer and writer based in Swindon. He was previously a director of Photofolio, a commercial gallery in the north of England, and is a regular contributor to various magazines. Working with both large-format and digital cameras, Phil teaches photographic techniques both locally and with photographic tours around the world.
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How to get the most out of this book Introduction Chapter One: Colour theory The colour wheel Primary, secondary and tertiary colours Complementary colours Colour harmony Additive colour Subtractive colour Examples Chapter Two: Vision The human eye Colour constancy and metamerism Colour blindness Psychological influences Cultural influences Chapter Three: Light The electromagnetic spectrum Colour temperature Infrared Chapter Three: Photographic colour Colour films Daylight and tungsten balance Digital colour Chapter Four: Filtration Filter systems The Kodak Wratten series Mired and mired shift Colour temperature filters Neutral density filters Polarising filters Artificial light Chapter Five: Using colour Limiting the colour palette Colour for impact Colour and emotion Colour and time Chapter Six: Processing and printing Using RAW files and RAW conversion Adobe Photoshop Toned monochrome Colour management Digital printing Chapter Seven: Colour captured William Lesch Joe Cornish Wilson Tsoi Sue Bishop Steve McCurry Conclusion Glossary Acknowledgements, contacts and credits
How to get the most out of this book Introduction Chapter One: Colour theory The colour wheel Primary, secondary and tertiary colours Complementary colours Colour harmony Additive colour Subtractive colour Examples Chapter Two: Vision The human eye Colour constancy and metamerism Colour blindness Psychological influences Cultural influences Chapter Three: Light The electromagnetic spectrum Colour temperature Infrared Chapter Three: Photographic colour Colour films Daylight and tungsten balance Digital colour Chapter Four: Filtration Filter systems The Kodak Wratten series Mired and mired shift Colour temperature filters Neutral density filters Polarising filters Artificial light Chapter Five: Using colour Limiting the colour palette Colour for impact Colour and emotion Colour and time Chapter Six: Processing and printing Using RAW files and RAW conversion Adobe Photoshop Toned monochrome Colour management Digital printing Chapter Seven: Colour captured William Lesch Joe Cornish Wilson Tsoi Sue Bishop Steve McCurry Conclusion Glossary Acknowledgements, contacts and credits
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