discussion of the antiauthoritarian artist. Banksy emerged in Bristol, UK, in the 1990s in the underground scene, with its public antiestablishment art that often targeted fascism, surveillance, capitalism, and consumerism. Though Banksy produced documentation of his work with publications in 2001, 2002, and 2005 and the film
Exit through the Gift Shop (2010), Diehl examines Banksy's works and reminds readers that viewers, critics, scholars, and the public are essential to the work. They complete it. Diehl rightly critiques the art world's annoyance and indignation with an artist whose success has captured attention within and beyond the art world despite, or because, the art resides outside representation and the dealer-auction-market system that has prevailed over three centuries. Rather than incorporate traditional footnotes, Diehl includes citations, in order of appearance, beneath each chapter heading in the back matter. Perhaps such a construction is Diehl's own act of resistance, taking cues from Banksy's forms of critique and self-expression. Marked by rich illustrations and absorbing prose, this volume will interest those studying contemporary art, street art and graffiti, art markets, material culture, and visual culture. Recommended. Lower-division undergraduates through faculty and professionals."
CHOICE"Looks [at] the dramas that unfold after Banksy's artworks are discovered around the world... Gorgeous, well researched."
Daily Hive
