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"Being Essays on the Poetry of the French Renaissance"
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The fifteenth century, the storm of the Renaissance, are not taught. Why, Rabelais himself might be but an unfamiliar name had not a northern squire of genius rendered to the life three quarters of his work. The list is interminable. Even the great Drama of the great century is but a text for our schools leaving no sort of trace upon the mind: and as for the French moderns (I have heard it from men of liberal education) they are denied to have written any poetry at all: so exact, so subtle, so readily to be missed, are the proportions of their speech. If you ask me why I should myself approach...
The fifteenth century, the storm of the Renaissance, are not taught. Why, Rabelais himself might be but an unfamiliar name had not a northern squire of genius rendered to the life three quarters of his work. The list is interminable. Even the great Drama of the great century is but a text for our schools leaving no sort of trace upon the mind: and as for the French moderns (I have heard it from men of liberal education) they are denied to have written any poetry at all: so exact, so subtle, so readily to be missed, are the proportions of their speech. If you ask me why I should myself approach the matter, I can plead some inheritance of French blood, com-parable, I believe, to your own; and though I have no sort of claim to that unique and accomplished scholar-ship which gives you a mastery of the French tongue unmatched in England, and a complete familiarity with its history, application and genius, yet I can put to my credit a year of active, if eccentric, experience in a French barrack room, and a complete segregation during those twelve memorable months wherein I could study the very soul of this sincere, creative, and tenacious people.
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