Nick Abercrombie, Brian Longhurst

Gebundenes Buch

Audiences

A Sociological Theory of Performance and Imagination

Beschreibung

Offering a timely review of the past 50 years of theoretical and methodological debate Audiences argues the case for a paradigmatic shift in audience research.

Autor

Born 1944. Educated at Oxford University (B.A. in Politics, Philosophy and Economics) and London School of Economics (M.Sc. in Sociology). Ph.D. in Sociology from the University of Lancaster. Appointed in 1968 as a Research Officer in a Unit specializing in town planning research in the Bartlett School of Architecture at University College, London. Moved to a lectureship in sociology at the University of Lancaster in 1970, then Professor of Sociology and subsequently Deputy Vice-Chancellor from 1995 to 2004. Now retired and Emeritus Professor.

Produktdetails

• Verlag: Sage Publications UK
• Seitenzahl: 212
• Erscheinungstermin: 1. April 1998
• Englisch
• Abmessung: 240mm x 161mm x 16mm
• Gewicht: 487g
• ISBN-13: 9780803989610
• ISBN-10: 080398961X
• Artikelnr.: 21119551

Rezensionen

`From a theoretical point of view, they provide a valuable update on how recent debates within cultural studies should alter the direction of critical audience research.... The considerable breadth of subject matter covered in this book is organized logically and presented in extremely readable prose.... The authors also provide a valuable service in differentiating among audience activity.... This book is worth reading for a number of reasons. It is the first introductory work of critical audience research that suggests how we can study the connection of media consumption in general with every day life, and it also goes beyond its competitors in showing how postmodern thinking can help us in the analysis of a "whole way of life"' -

Journal of Communication





`This book brings the study of the audience into the centre of the study of electronic mediation, and the study of electronic mediation into the centre of the study of society and culture. In so doing it captures something of the inescapable intensity of the media in the late twentieth century in ways which are both accessible and provocative. It should be widely read' - Roger Silverstone





`Timely and refreshing....the authors successfully assert is that to understand audiences both method and theory must take account of wider social processes and not to isolate media use from the complex rhythms, patterns and practices of everyday life. In locating audiences within this wider framework they have laid down a formidable challenge for future research' - Framework