Archaeology of Play
The Re-Discovery of Platonic-Aristotelian Tripartivism in Interdisciplinary Discourses
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Archaeology of Play: The Re-Discovery of Platonic-Aristotelian Tripartivism in Interdisciplinary Discourses proposes that play's antithesis is not seriousness but rather one-dimensionality. This book argues that the rediscovery of Platonic-Aristotelian tripartivism lends to a more expansive appreciation of play in terms of three rhetorical registers-namely, skholé, agon, and paidia. Scholastic play resides in leisure and contemplation. Agonistics is realmed in competition, contests, and power-play, while paidiatics is expressed in lowly ruses, trickeries, recreation, and amusement of the low-...
Archaeology of Play: The Re-Discovery of Platonic-Aristotelian Tripartivism in Interdisciplinary Discourses proposes that play's antithesis is not seriousness but rather one-dimensionality. This book argues that the rediscovery of Platonic-Aristotelian tripartivism lends to a more expansive appreciation of play in terms of three rhetorical registers-namely, skholé, agon, and paidia. Scholastic play resides in leisure and contemplation. Agonistics is realmed in competition, contests, and power-play, while paidiatics is expressed in lowly ruses, trickeries, recreation, and amusement of the low-bred and the subaltern. By subjecting play to the tripartite lens, Archaeology of Play highlights vital surpluses and lacunae in the treatment of the subject matter and therefore yields a refreshing, re-politicized understanding of play dynamics in the different fields of human endeavor.
Furthermore, Bourdieu's and Rancière's lusory discourses redeem play from the pitfalls of triadic over-schematization by thinking beyond tripartivism. The lively interlocution with other play theorists-Pieper, Kant, Schiller, Marcuse, Gadamer, Veblen, Arendt, Lyotard, Derrida, Foucault, Bakhtin, de Certeau, among others-adds substance to the mix where play becomes a critical resource for politics, aesthetics, and the democratic reordering of sociality.
Furthermore, Bourdieu's and Rancière's lusory discourses redeem play from the pitfalls of triadic over-schematization by thinking beyond tripartivism. The lively interlocution with other play theorists-Pieper, Kant, Schiller, Marcuse, Gadamer, Veblen, Arendt, Lyotard, Derrida, Foucault, Bakhtin, de Certeau, among others-adds substance to the mix where play becomes a critical resource for politics, aesthetics, and the democratic reordering of sociality.
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