Arapuá's Nest
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The book consists of twelve articles divided into three sections. The first is dedicated to the studies I began as a student at the School of Dramatic Arts in 1993, as an actor. From this experience and reflection come these texts. The themes are about tragedy in ancient Greece, culminating in a study of Aeschylus' trilogy (Agamemnon, Coephorae and the Eumenes). In addition to this theme, I approach the national theater and especially our greatest playwright, Nelson Rodrigues. To do so, I try to understand his controversial relationship with the critics of his time and how he came to inaugurat...
The book consists of twelve articles divided into three sections. The first is dedicated to the studies I began as a student at the School of Dramatic Arts in 1993, as an actor. From this experience and reflection come these texts. The themes are about tragedy in ancient Greece, culminating in a study of Aeschylus' trilogy (Agamemnon, Coephorae and the Eumenes). In addition to this theme, I approach the national theater and especially our greatest playwright, Nelson Rodrigues. To do so, I try to understand his controversial relationship with the critics of his time and how he came to inaugurate modernism in Brazilian dramaturgy. Still on the scenic arts, I selected an article that portrays the adaptation of literary classics for cinema and theater, that is, it deals with the transposition from one artistic language to another. In this case I focus on the staging that José Celso Martinez did of Euclides da Cunha's Sertões (Backlands).
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