Apologia Degli Accademici Di Banchi Di Roma Contra M.Lodovico Castelvetro Da Modena. in Forma D'uno Spaccio Di Maestro Pasquino, Con Alcune Operette Incluse Del Predella, Del Buratto, Di Ser Fedocco. in Difesa Della Seguente Canzone Del Commendatore Annib
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"Apologia Degli Accademici Di Banchi Di Roma Contra M.Lodovico Castelvetro Da Modena" is a significant work of Italian literary criticism from the 18th century, engaging with Renaissance literary debates. This volume presents a defense against the criticisms of Lodovico Castelvetro, articulated through the persona of Maestro Pasquino. Included are various writings from Predella, Buratto, and Ser Fedocco, all in support of a canzone by Commendatore Annibal Caro. The text offers valuable insights into the literary culture and intellectual disputes of the period, making it a crucial resource for ...
"Apologia Degli Accademici Di Banchi Di Roma Contra M.Lodovico Castelvetro Da Modena" is a significant work of Italian literary criticism from the 18th century, engaging with Renaissance literary debates. This volume presents a defense against the criticisms of Lodovico Castelvetro, articulated through the persona of Maestro Pasquino. Included are various writings from Predella, Buratto, and Ser Fedocco, all in support of a canzone by Commendatore Annibal Caro. The text offers valuable insights into the literary culture and intellectual disputes of the period, making it a crucial resource for scholars of Italian literature and Renaissance studies. This historical document provides a window into the aesthetic values and critical approaches prevalent in 18th-century Italy. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.