Aime Aimless, Aim Vicious
The Alchemical Courtship in the Dreamlands Saga, Volume 1
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Aime Aimless, Aim Vicious, the first volume in The Alchemical Courtship in the Dreamlands, begins the alchemical courtship of a couple whose relationship unfolds across both the Waking world and the mythic terrain of the Dreamlands. Written by Malmeth Ciel Nawillin and published by Pontos Fathom Press, it stands as ergodic literature-an alchemical document, a field of immersion-designed to be entered rather than followed, wandered rather than resolved. In a time of short attention and non-linear reading, the text embraces fragmentation, delay, and return, allowing meaning to arise through reso...
Aime Aimless, Aim Vicious, the first volume in The Alchemical Courtship in the Dreamlands, begins the alchemical courtship of a couple whose relationship unfolds across both the Waking world and the mythic terrain of the Dreamlands. Written by Malmeth Ciel Nawillin and published by Pontos Fathom Press, it stands as ergodic literature-an alchemical document, a field of immersion-designed to be entered rather than followed, wandered rather than resolved. In a time of short attention and non-linear reading, the text embraces fragmentation, delay, and return, allowing meaning to arise through resonance and symbolic accumulation rather than chronology. Their relationship is intimate, unstable, and recursive-moving through real moments, psychological thresholds, and dream-saturated landscapes. The book offers, at once, a love story, a descent into mythic consciousness, and a reanimation of H.P. Lovecraft's Dream-Cycle. In the city of Celephaïs and beyond, emotional extremity is not narrated but ritualized. The Dreamlands emerge not as setting but as structure-formed by obsession, grief, and longing too large to survive in daylight. Within this recursive dream-architecture, two key structures persist: the Eternal Court of Love, where desire is endlessly replayed, and the Midnight Circus, where the unspeakable returns in mask, motion, and echo. These are not metaphors, but mechanisms-technologies for holding memory and distortion in the absence of resolution. The book does not move forward-it coils, loops, returns. And so, with this volume, the questions begin. What are the Dreamlands, really? Who inhabits them-what cities rise beyond Celephaïs, what forgotten architectures drift beneath the surface? Where do the Lovecraftian Old Ones dwell-not as monsters, but as strata of myth, madness, and memory? What function does the Eternal Court of Love serve in this alchemical recursion, and what is the Midnight Circus, if not a mechanism by which the unspeakable returns, again and again, in mask and ritual? What follows is not for you to be told, but to be discovered. Here, reader, the invitation is simple: step into the unknown, where meaning will emerge only through the path you carve yourself. This is the promise of The Alchemical Courtship in the Dreamlands: not resolution, not escape, not clarity. The gods and Old Ones await, yes-but not to be worshipped. Only to be remembered, until morning erases the life that once moved in the Dreamlands.
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