ACROBATIC DANCE-MUSIC OF THE ESAN IN EDO STATE OF NIGERIA
Studies in Igbabonelimi and Ijieleghe
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This study interrogates gendered musicking in Esan with a focus on two acrobatic musical ensembles. The ethnographic research technique was relied on in eliciting data. This includes interviews, group discussions, informants, active participant observation, and library resources. The work reveals that Ijieleghe and Igbabonelimin share a common origin that has influenced the ensembles' dance steps, musical instruments and performance practice. The palpable difference in the two ensembles is that while Ijieleghe performers wear light costumes, Igbabonelimin are heavy and sometimes go with male a...
This study interrogates gendered musicking in Esan with a focus on two acrobatic musical ensembles. The ethnographic research technique was relied on in eliciting data. This includes interviews, group discussions, informants, active participant observation, and library resources. The work reveals that Ijieleghe and Igbabonelimin share a common origin that has influenced the ensembles' dance steps, musical instruments and performance practice. The palpable difference in the two ensembles is that while Ijieleghe performers wear light costumes, Igbabonelimin are heavy and sometimes go with male and female masquerades. Considering their similarities, this study asks advocates for gender inclusivity in membership of traditional ensembles. The authors conclude that in light of the present-day cultural realities, the life span of these ensembles will be enhanced if there are no gender restrictions in both ensembles.
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