Acadiana
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In Reddy's south Louisiana, gods, saints, and sibyls walk among us. Set against the approach and aftermath of a hurricane, Acadiana' s swamps and bayous are liminal spaces where the boundaries between this world and the next, between comfort and catastrophe, are porous. In this sometimes lyrical and sometimes sinister polyvocal collection, the sibyls' oracular voices foretell the approach of the storm and the disaster it leaves in its wake; before her death, the folk-saint Saint Charlene whispers her last invocation to the Lord she can no longer hear; a girl tells the story of being momentaril...
In Reddy's south Louisiana, gods, saints, and sibyls walk among us. Set against the approach and aftermath of a hurricane, Acadiana' s swamps and bayous are liminal spaces where the boundaries between this world and the next, between comfort and catastrophe, are porous. In this sometimes lyrical and sometimes sinister polyvocal collection, the sibyls' oracular voices foretell the approach of the storm and the disaster it leaves in its wake; before her death, the folk-saint Saint Charlene whispers her last invocation to the Lord she can no longer hear; a girl tells the story of being momentarily possessed by the Holy Spirit; and Saint Catherine sits in a lawn chair before a storm, reading the sky for signs: " The sky's a still and cloudless blue / and tells us nothing. Only certain birds // can guide us. They do not appear." By placing the rituals of Catholic faith alongside ancient practices like augury and divination, these poems ask about the role of ritual and faith in warding off and making sense of disasters, both natural and man-made. The collection closes with the stark, oracular pronouncement of the sibyls, after the storm: " Saved and spared are different / and you will learn that now."
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