A Short View of the Immorality, and Profaneness of the English Stage
Together with the Sense of Antiquity on this Argument
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In "A Short View of the Immorality, and Profaneness of the English Stage," Jeremy Collier offers a striking critique of the theatrical practices of late 17th-century England. Employing a direct and accessible prose style, Collier meticulously dissects the moral failings he perceives in contemporary plays, arguing that they contribute to societal corruption by glorifying vice and immorality. His work emerges within the broader context of Restoration literature, a period marked by a resurgence of public theatre with increasingly licentious content, and reflects the tensions between emerging secu...
In "A Short View of the Immorality, and Profaneness of the English Stage," Jeremy Collier offers a striking critique of the theatrical practices of late 17th-century England. Employing a direct and accessible prose style, Collier meticulously dissects the moral failings he perceives in contemporary plays, arguing that they contribute to societal corruption by glorifying vice and immorality. His work emerges within the broader context of Restoration literature, a period marked by a resurgence of public theatre with increasingly licentious content, and reflects the tensions between emerging secular values and traditional moral frameworks. Collier's compelling arguments call for a reflection on the ethical responsibilities of playwrights and the implications of theatre on audience values, making his text an essential critique of its time. Collier, a prominent theologian and moralist, utilized his deep understanding of moral philosophy and Christian ethics to champion a cause he believed would elevate societal standards. His experiences within the Church and his concerns about the influence of popular culture on personal conduct motivated him to vehemently oppose the moral degradation he associated with the stage. Collier's passion for reform is evident in his thorough analysis, positioning him as a paradoxical figure navigating the vibrant yet contentious intersection of art and morality in Restoration England. This book is invaluable for scholars interested in theatre studies, moral philosophy, or cultural history. It invites readers to reconsider the impact of the arts on moral development and societal values. Collier's bold assertions resonate beyond the 17th century, prompting contemporary audiences to reflect on the ethical responsibilities of the arts today.
