A History of Ballet in Russia (1613 - 1881)
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This is a detailed history of ballet in Russia (with particular reference to St. Petersburg) from its origin to the third quarter of the 19th century. The groundwork of historical data is enlivened with notes on the different dancers, extracts from contemporary accounts of their appearances, the casts of important first performances, the stories of many of the ballets produced, and so on. We learn of the birth of interest in the Theatre early in the 17th century, during the reign of Tsar Alexis, of the Public Balls or Assemblies organised by Peter the Great, and of the establishment during the...
This is a detailed history of ballet in Russia (with particular reference to St. Petersburg) from its origin to the third quarter of the 19th century. The groundwork of historical data is enlivened with notes on the different dancers, extracts from contemporary accounts of their appearances, the casts of important first performances, the stories of many of the ballets produced, and so on. We learn of the birth of interest in the Theatre early in the 17th century, during the reign of Tsar Alexis, of the Public Balls or Assemblies organised by Peter the Great, and of the establishment during the reign of the Empress Anne of a ballet company - recruited from the children of poor parents - directed by a French master called Landé. With each new reign the company increases in size, importance and talent under the successive influence of famous maîtres de ballet such as Didelot, Perrot, St.-Léon and Marius Petipa, and celebrated ballerine such as Marie Taglioni, Fanny Elssler, Carlotta Grisi, Fanny Cerrito, Caroline Rosati, Amalia Ferraris, Salvioni, Henriette d'Or and so forth. With such forces at work a line of illustrious Russian Stars is formed - Istomina, Kolosova, Zubova, Andreyanova, Petipa, Prikhunova, Bogdanova, Muravieva, Grantsova, Vazem, Sokolova and many others. The book is prefaced by a most interesting introduction by M. André Levinson, whose reputation as an historian and critic of dancing is world-wide, which presents an admirable survey of the development of Ballet in Russia from the "age of Petipa" to the conquering of both the Old World and the New by that glorious company - composed of hand-picked artists from the Imperial Ballet - directed by Serge Diaghilev.
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