A Bright and Guilty Place
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Subtitled, "Murder, Corruption & L.A.'s Scandalous Coming Of Age". Narrative non-fiction depicting LA in the 1920s, when it was mad with oil fever, get-rich-quick schemes, celebrity scandals, religious fervor and organised crime, with the mayor in the pocket of the syndicates and the DA taking bribes to throw trials.
In the roaring twenties Los Angeles was the fastest growing city in the world, mad with oil fever, get-rich-quick schemes, celebrity scandals, and religious fervor. It was also rife with organized crime, with a mayor in the pocket of the syndicates and a DA taking bribes to throw trials. In A Bright and Guilty Place, Richard Rayner narrates the entwined lives of two men, Dave Clark and Leslie White, who were caught up in the crimes, murders, and swindles of the day. Over a few transformative years, as the boom times shaded into the Depression, the adventures of Clark and White would inspire pulp fiction and replace L.A.'s reckless optimism with a new cynicism. Together, theirs is the tale of how the city of sunshine got noir. When A Bright and Guilty Place begins, Leslie White is a naïve young photographer who lands a job as a crime-scene investigator in the L.A. district attorney's office. There he meets Dave Clark, a young, movie-star handsome lawyer and a rising star prosecutor with big ambitions. The cases they tried were some of the first "trials of the century," starring dark-hearted oil barons, sexually perverse starlets, and hookers with hearts of gold. Los Angeles was in the grip of organized crime, and White was dismayed to see that only the innocent paid while the powerful walked free. But Clark was entranced by L.A.'s dangerous lures and lived the high life, marrying a beautiful woman, wearing custom-made suits, yachting with the rich and powerful, and jaunting off to Mexico for gambling and girls. In a shocking twist, when Charlie Crawford, the Al Capone of L.A., was found dead, the chief suspect was none other than golden boy Dave Clark. A Bright and Guilty Place is narrative non-fiction at its most gripping. Richard Rayner portrays an L.A. controlled by organized crime, where brutal murders, spectacular trials, political misdeeds, and the sexual perversities of Hollywood starlets are chronicled in graphic detail in the tabloids; where writers like Raymond Chandler and Dashiell Hammett transformed a dark reality into gripping fiction; and whose events would inspire the shadowy L.A. of film noir.
