Unique in its approach, by applying the different theories used in art history to one painting, Picasso's Les Demoiselles d'Avignon An ideal text for teaching, it provides a lively and stimulating introduction to methodological debates within the subject Offers a lucid account of approaches from Hegel to post-colonialism by.
Unique in its approach, by applying the different theories used in art history to one painting, Picasso's Les Demoiselles d'Avignon An ideal text for teaching, it provides a lively and stimulating introduction to methodological debates within the subject Offers a lucid account of approaches from Hegel to post-colonialism by.
Michael Hatt is Head of Research at the Yale Center for British Art and Visiting Professor in the School of History of Art, Film and Visual Media, Birkbeck College, University of London. Charlotte Klonk is a Fellow at the Institute of Advanced Study in Berlin
Inhaltsangabe
List of Illustrations Acknowledgements 1. Introduction 2. A variety of interpretations: a preview 3. Hegel and the birth of art history 4. Connoisseurship 5. Formalism: Heinrich Wölfflin and Alois Riegl 6. Iconography - Iconology: Erwin Panofsky 7. Marxism and the social history of art 8. Feminism 9. Psychoanalysis 10. Semiotics 11. Postcolonialism 12. Conclusion
List of Illustrations Acknowledgements 1. Introduction 2. A variety of interpretations: a preview 3. Hegel and the birth of art history 4. Connoisseurship 5. Formalism: Heinrich Wölfflin and Alois Riegl 6. Iconography - Iconology: Erwin Panofsky 7. Marxism and the social history of art 8. Feminism 9. Psychoanalysis 10. Semiotics 11. Postcolonialism 12. Conclusion
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