The Split Subject of Narration in Elizabeth Gaskell's First Person Fiction - Koustinoudi, Anna
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The Split Subject of Narration in Elizabeth Gaskell's First-Person Fiction analyzes a number of Elizabeth Gaskell's first-person works through a post-modern perspective. It attempts to explore the vicissitudes of Victorian Subjectivity by focusing on the ways in which E. Gaskell's realistic and Gothic fiction interrogate post-Romantic assumptions about the centrality and coherence of the narrating subject.

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Produktbeschreibung
The Split Subject of Narration in Elizabeth Gaskell's First-Person Fiction analyzes a number of Elizabeth Gaskell's first-person works through a post-modern perspective. It attempts to explore the vicissitudes of Victorian Subjectivity by focusing on the ways in which E. Gaskell's realistic and Gothic fiction interrogate post-Romantic assumptions about the centrality and coherence of the narrating subject.
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Autorenporträt
Anna Koustinoudi is an Adjunct Faculty Member at Aristotle University (Greece). Her research interests and publications focus on nineteenth-century prose, especially on Victorian women's novelistic production, as well as on gender theory in combination with psychoanalytic and narrative theory.