Wooroloo - Hughes, Frieda
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Welcome to the meticulously observed world of Frieda Hughes. It is a world of tangible materiality constantly on the brink of change, a world populated with foxes and fire, fathers and lovers, mothers and birdmen--a world that is ultimately combustible, fragile, fearsome, and elegiacally beautiful. Hughes maps the landscape, both within and without, in language possessed of an almost painterly sensitivity and a sublime mastery of craft. The self she depicts is one who is tested by loss, danger, betrayal, and abandonment, yet one who is transformed through experience into a world beyond…mehr

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Produktbeschreibung
Welcome to the meticulously observed world of Frieda Hughes. It is a world of tangible materiality constantly on the brink of change, a world populated with foxes and fire, fathers and lovers, mothers and birdmen--a world that is ultimately combustible, fragile, fearsome, and elegiacally beautiful. Hughes maps the landscape, both within and without, in language possessed of an almost painterly sensitivity and a sublime mastery of craft. The self she depicts is one who is tested by loss, danger, betrayal, and abandonment, yet one who is transformed through experience into a world beyond nihilism and despair a place that makes possible truth, strength of character, and the redemptive power of love.
Autorenporträt
Born in London in 1960, Frieda Hughes is a painter and poet. She has also written children's books, and was The Times (London) poetry columnist from 2006 to 2008. Frieda's first collection of poetry, Wooroloo, was named after the hamlet in western Australia where she lived during the 1990s. Other collections followed: Stonepicker; Waxworks; Forty-five, a collection of autobiographical poems based on her life to the age of forty-five; The Book of Mirrors; and Alternative Values. In this last book, Frieda used the subject of her poems to inform the accompanying abstract images?painted in oils on canvas?combining the two driving forces in her life. Her poems have also appeared in The New Yorker, The Paris Review, The London Magazine, The Times (London), and The Spectator (London). Frieda resides in Wales with owls and motorbikes.