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Balconville (eBook, ePUB) - Fennario, David
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Balconville is Canada's first bilingual play. Three families and Thibault, the neighbourhood rubbie, sit on their balconies in the heat of a Montreal summer. It is election time and Gaétan Bolduc is running for re-election for the Liberals. His broadcast truck roams the streets making election promises in English and in French, and playing the music of Elvis Presley. The English and the French-Canadian working class take on the Establishment in this award-winning play.
Cast of 3 women and 6 men.

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Produktbeschreibung
Balconville is Canada's first bilingual play. Three families and Thibault, the neighbourhood rubbie, sit on their balconies in the heat of a Montreal summer. It is election time and Gaétan Bolduc is running for re-election for the Liberals. His broadcast truck roams the streets making election promises in English and in French, and playing the music of Elvis Presley. The English and the French-Canadian working class take on the Establishment in this award-winning play.

Cast of 3 women and 6 men.

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Autorenporträt
Anglophone playwright born David Wiper in Montreal, Quebec, 1947. He was raised in the working class district of Pointe-St-Charles, an area he would make the centre of most of his plays. He was one of six children, his father was a housepainter. His pen name, given to him by a girlfriend, was part of a Bob Dylan song, "Pretty Peggy-O." David Fennario has described his life as: Born on the Avenues in the Verdun-Pointe Saint Charles working-class district of Montreal; one of six kids growing up in Duplessis' Quebec, repressed, depressed, oppressed and compressed. "School was a drag. My working experience turned me into a raving Red calling for world revolution. The process of becoming a political activist gave me the confidence to be a writer. Up to then, I thought only middle-class people could become artists, because they were not stupid like working-class people, who were working-class because they were stupid. But reading Socialist literature convinced me that working-class people can change themselves and the world around them. We are not chained to fate, Freud, God, gender or a genetic code. We can make ourselves into what we want. I've been trying my best to do that ever since, and have had some success as a playwright and a prose writer."