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This cult classic of gonzo journalism is the best chronicle of drug-soaked, addle-brained, rollicking good times ever committed to the printed page. It is also the tale of a long weekend road trip that has gone down in the annals of American pop culture as one of the strangest journeys ever undertaken. Now a major motion picture from Universal, directed by Terry Gilliam and starring Johnny Depp and Benicio del Toro.

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Produktbeschreibung
This cult classic of gonzo journalism is the best chronicle of drug-soaked, addle-brained, rollicking good times ever committed to the printed page. It is also the tale of a long weekend road trip that has gone down in the annals of American pop culture as one of the strangest journeys ever undertaken. Now a major motion picture from Universal, directed by Terry Gilliam and starring Johnny Depp and Benicio del Toro.

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Autorenporträt
Hunter S. Thompson (July 18, 1937 - February 20, 2005) was an American journalist and author. He was known for his flamboyant writing style, most notably deployed in Fear and Loathing in Las Vegas, which blurred the distinctions between writer and subject, fiction and nonfiction. The best source on Thompson's writing style and personality is Thompson himself. His books include Hell's Angels: A Strange and Terrible Saga (1966), Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream (1972), Fear and Loathing on the Campaign Trail '72 (1973); The Great Shark Hunt: Strange Tales from a Strange Time (1979); The Curse of Lono(1983); Generation of Swine, Gonzo Papers Vol. 2: Tales of Shame and Degradation in the 80's (1988); and Songs of the Doomed (1990).
Rezensionen
'There are only two adjectives writers care about..."brilliant" and "outrageous". Hunter Thompson has a freehold on both of them. "Fear and Loathing" is a scorching epochal sensation.' Tom Wolfe

'What goes on in these pages makes Lenny Bruce seem angelic...the whole book boils down to a mad, corrosive prose poetry that picks up where Norman Mailer's "An American Dream" left off and explores what Tom Wolfe left out.' New York Times