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'A writer of virtuostic talents who can seemingly do anything' New York Times
'Wallace is a superb comedian of culture . . . his exuberance and intellectual impishness are a delight' James Wood, Guardian
'He induces the kind of laughter which, when read in bed with a sleeping partner, wakes said sleeping partner up . . . He's damn good' Nicholas Lezard, Guardian
'One of the best books about addiction and recovery to appear in recent memory' Sunday Times
Somewhere in the not-so-distant future the residents of Ennet House, a Boston halfway house for recovering addicts, and students
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Produktbeschreibung
'A writer of virtuostic talents who can seemingly do anything' New York Times

'Wallace is a superb comedian of culture . . . his exuberance and intellectual impishness are a delight' James Wood, Guardian

'He induces the kind of laughter which, when read in bed with a sleeping partner, wakes said sleeping partner up . . . He's damn good' Nicholas Lezard, Guardian

'One of the best books about addiction and recovery to appear in recent memory' Sunday Times

Somewhere in the not-so-distant future the residents of Ennet House, a Boston halfway house for recovering addicts, and students at the nearby Enfield Tennis Academy are ensnared in the search for the master copy of Infinite Jest, a movie said to be so dangerously entertaining its viewers become entranced and expire in a state of catatonic bliss . . .
Autorenporträt
David Foster Wallace is the author of the novels Infinite Jest and The Broom of the System, the story collections Girl with Curious Hair and Brief Interviews with Hideous Men, and the essay collections A Supposedly Fun Thing I'll Never Do Again and Consider the Lobster. His writings have appeared in Esquire, Harper's, the New Republic, New Yorker, Paris Review and other magazines. He is the recipient of a MacArthur Fellowship, the Lannan Award for Fiction, the Paris Review's Aga Khan Prize and John Train Prize for Humour, and the O. Henry Award. David Foster Wallace died in 2008.
Rezensionen
A writer of virtuostic talents who can seemingly do anything NEW YORK TIMES