A collection of essays on art and politics. It shows how the author's ideas can be used to analyse contemporary trends in both art and politics, including the events surrounding 9/11, war in the contemporary consensual age, and the ethical turn of aesthetics and politics.
A collection of essays on art and politics. It shows how the author's ideas can be used to analyse contemporary trends in both art and politics, including the events surrounding 9/11, war in the contemporary consensual age, and the ethical turn of aesthetics and politics.
Jacques Rancière taught at the University of Paris VIII, France, from 1969 to 2000, occupying the Chair of Aesthetics and Politics from 1990 until his retirement.
Inhaltsangabe
Translator's Introduction \ Preface \ Part I: The Aesthetics of Politics \ 1. Ten Theses on Politics \ 2. Does Democracy Mean Something? \ 3. Who is the Subject of the Rights of Man? \ 4. Communism: From Actuality to Inactuality \ 5. The People or the Multitudes? \ 6. Biopolitics or Politics? \ 7. September 11 and Afterwards: A Rupture in the Symbolic Order? \ 8. Of War as the Supreme Form of Advanced Plutocratic Consensus \ Part II: The Politics of Aesthetics \ 9. The Aesthetic Revolution and its Outcomes \ 10. The Paradoxes of Political Art \ 11. The Politics of Literature \ 12. The Monument and its Confidences, or Deleuze and Art's Capacity for 'Resistance' \ 13. The Ethical Turn of Aesthetics and Politics \ Part III: Response to Critics \ 14. The Usage of Distinctions \ Index.
AcknowledgementsEditor's Introduction Part I: The Aesthetics of Politics 1. Ten Theses on Politics 2. Does Democracy Mean Something? 3. Who is the Subject of the Rights of Man? 4. Communism: From Actuality to Inactuality 5. The People or the Multitudes? 6. Biopolitics or Politics? 7. September 11 and Afterwards: A Rupture in the Symbolic Order? 8. Of War as the Supreme Form of Advanced Plutocratic Consensus Part II: The Politics of Aesthetics 9. The Aesthetic Revolution and its Outcomes 10. The Paradoxes of Political Art 11. The Politics of Literature 12. The Monument and its Confidences; or Deleuze and Art's Capacity of 'Resistance'13. The Ethical Turn of Aesthetics and Politics Part III: Response to Critics 14. The Use of Distinctions NotesIndex
Translator's Introduction \ Preface \ Part I: The Aesthetics of Politics \ 1. Ten Theses on Politics \ 2. Does Democracy Mean Something? \ 3. Who is the Subject of the Rights of Man? \ 4. Communism: From Actuality to Inactuality \ 5. The People or the Multitudes? \ 6. Biopolitics or Politics? \ 7. September 11 and Afterwards: A Rupture in the Symbolic Order? \ 8. Of War as the Supreme Form of Advanced Plutocratic Consensus \ Part II: The Politics of Aesthetics \ 9. The Aesthetic Revolution and its Outcomes \ 10. The Paradoxes of Political Art \ 11. The Politics of Literature \ 12. The Monument and its Confidences, or Deleuze and Art's Capacity for 'Resistance' \ 13. The Ethical Turn of Aesthetics and Politics \ Part III: Response to Critics \ 14. The Usage of Distinctions \ Index.
AcknowledgementsEditor's Introduction Part I: The Aesthetics of Politics 1. Ten Theses on Politics 2. Does Democracy Mean Something? 3. Who is the Subject of the Rights of Man? 4. Communism: From Actuality to Inactuality 5. The People or the Multitudes? 6. Biopolitics or Politics? 7. September 11 and Afterwards: A Rupture in the Symbolic Order? 8. Of War as the Supreme Form of Advanced Plutocratic Consensus Part II: The Politics of Aesthetics 9. The Aesthetic Revolution and its Outcomes 10. The Paradoxes of Political Art 11. The Politics of Literature 12. The Monument and its Confidences; or Deleuze and Art's Capacity of 'Resistance'13. The Ethical Turn of Aesthetics and Politics Part III: Response to Critics 14. The Use of Distinctions NotesIndex
Rezensionen
Rewarding in its scholarly engagement with Derrida, Arendt, Lyotard et al ... [Rancière] has a certain sardonic precision. The Guardian
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