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In this first major collection of its kind, thirty contributors tackle centuries of music censorship across the globe from the medieval era to the modern day. Focusing on individual composers and artists as well as eras within single countries, this Handbook champions the efficacy of music as an agent of collective power and resilience.

Produktbeschreibung
In this first major collection of its kind, thirty contributors tackle centuries of music censorship across the globe from the medieval era to the modern day. Focusing on individual composers and artists as well as eras within single countries, this Handbook champions the efficacy of music as an agent of collective power and resilience.
Autorenporträt
Patricia Hall is Professor of Music Theory at the University of Michigan. Her publications include A View of Berg's Lulu Through the Autograph Sources (University of California Press, 1997) and Berg's Wozzeck (OUP, 2011).