The Oxford Handbook of Computer Music provides a state-of-the-art cross-section of the most field-defining topics and debates in the field of computer music today. From music cognition to pedagogy to sociocultural analyses, this handbook situates computer music in the broad context of its creation and performance across the full range of issues that crop up in contemporary discourse in the field.
The Oxford Handbook of Computer Music provides a state-of-the-art cross-section of the most field-defining topics and debates in the field of computer music today. From music cognition to pedagogy to sociocultural analyses, this handbook situates computer music in the broad context of its creation and performance across the full range of issues that crop up in contemporary discourse in the field.
Table of Contents 1 Introduction: The many futures of computer music. Roger T. Dean Section I: Some histories of computer music and its technologies 2 A historical view of computer music technology Douglas Keislar 3 Early hardware and early ideas in computer music - their development and their current forms Paul Doornbusch 4 Sound synthesis using computers Peter Manning Section II: The Music 5 Computational approaches to composition of notated instrumental music: Xenakis and the other pioneers James Harley 6 Envisaging improvisation in future computer music Roger T. Dean Section III: Sounding Out 7 Computer music: some reflections Trevor Wishart 8 Some notes on my electronic improvisation practice Tim Perkis 9 Combining the acoustic and the digital: music for instruments and computers or pre-recorded sound Simon Emmerson Section IV: Creative and Performance Modes 10 Dancing the music: interactive dance and mu
Table of Contents 1 Introduction: The many futures of computer music. Roger T. Dean Section I: Some histories of computer music and its technologies 2 A historical view of computer music technology Douglas Keislar 3 Early hardware and early ideas in computer music - their development and their current forms Paul Doornbusch 4 Sound synthesis using computers Peter Manning Section II: The Music 5 Computational approaches to composition of notated instrumental music: Xenakis and the other pioneers James Harley 6 Envisaging improvisation in future computer music Roger T. Dean Section III: Sounding Out 7 Computer music: some reflections Trevor Wishart 8 Some notes on my electronic improvisation practice Tim Perkis 9 Combining the acoustic and the digital: music for instruments and computers or pre-recorded sound Simon Emmerson Section IV: Creative and Performance Modes 10 Dancing the music: interactive dance and mu
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