Andere Kunden interessierten sich auch für
![Thinking and Playing Music]( "Thinking and Playing Music")
Thinking and Playing Music34,99 €![Bridge of Waves: What Music Is and How Listening to It Changes the World]( "Bridge of Waves: What Music Is and How Listening to It Changes the World")
Bridge of Waves: What Music Is and How Listening to It Changes the World24,99 €![Thinking Musically]( "Thinking Musically")
Thinking Musically16,99 €![Deep Listeners]( "Deep Listeners")
Deep Listeners34,99 €![Every Song Ever]( "Every Song Ever")
Every Song Ever15,99 €![Norton Guide to Teaching Music Theory]( "Norton Guide to Teaching Music Theory")
Norton Guide to Teaching Music Theory70,99 €![Play: Games to make piano and music theory fun]( "Play: Games to make piano and music theory fun")
Play: Games to make piano and music theory fun41,99 €
Taking a cognitive approach to musical meaning, Arnie Cox explores embodied experiences of hearing music as those that move us both consciously and unconsciously. In this pioneering study that draws on neuroscience and music theory, phenomenology and cognitive science, Cox advances his theory of the "mimetic hypothesis," the notion that a large part of our experience and understanding of music involves an embodied imitation in the listener of bodily motions and exertions that are involved in producing music. Through an often unconscious imitation of action and sound, we feel the music as it moves and grows. With applications to tonal and post-tonal Western classical music, to Western vernacular music, and to non-Western music, Cox's work stands to expand the range of phenomena that can be explained by the role of sensory, motor, and affective aspects of human experience and cognition.