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Thirty-three years after his death, Elvis Presley's extraordinary physical appeal, timeless music, and sexual charisma continue to captivate, titillate, and excite. Though hundreds of books have been written about the King, no book has solely explored his relationships with women and how they influenced his music and life . . . until now.
Based largely on exclusive interviews with the many women who knew him in various roles-lover, sweetheart, friend, costar, and family member-Baby, Let's Play House presents Elvis in a new light: as a charming but wounded Lothario who bedded scores of women
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Produktbeschreibung
Thirty-three years after his death, Elvis Presley's extraordinary physical appeal, timeless music, and sexual charisma continue to captivate, titillate, and excite. Though hundreds of books have been written about the King, no book has solely explored his relationships with women and how they influenced his music and life . . . until now.

Based largely on exclusive interviews with the many women who knew him in various roles-lover, sweetheart, friend, costar, and family member-Baby, Let's Play House presents Elvis in a new light: as a charming but wounded Lothario who bedded scores of women but seemed unable to maintain a lasting romantic relationship. While fully exploring the most famous romantic idol of the twentieth century, award-winning veteran music journalist Alanna Nash pulls back the covers on what Elvis really wanted in a woman and was tragically never able to find.
Autorenporträt
Alanna Nash is a recipient of the Country Music Association Media Achievement Award and the Charlie Lamb Award for Excellence in Country Music Journalism, and the author of seven books, including The Colonel: The Extraordinary Story of Colonel Tom Parker and Elvis Presley (winner of the Belmont Award); Dolly: The Biography; and Elvis and the Memphis Mafia. Nash lives in Louisville, Kentucky, where she covered Elvis's funeral for the Courier-Journal.
Rezensionen
"Alanna Nash's long look at Elvis' bizarre history with women...collect[s] all the madness, badness and sadness of the Elvis myth in one exhaustive and embarrassingly tempting volume." New York Times