The first major study of Alan Bush, this book provides new perspectives on music and communism in twentieth-century Britain and the Communist Bloc. Drawing on untapped archival sources and incorporating readings of Bush's major works, this book will appeal to scholars of modern British music, communism, and the Cold War.
The first major study of Alan Bush, this book provides new perspectives on music and communism in twentieth-century Britain and the Communist Bloc. Drawing on untapped archival sources and incorporating readings of Bush's major works, this book will appeal to scholars of modern British music, communism, and the Cold War.
Joanna Bullivant is Lecturer in Music at Magdalen College, Oxford. She has published widely on British composers, modernism, and music and politics. This is her first book.
Inhaltsangabe
Introduction 1. Bush as modernist: material and performance 2. Bush as activist: the idea of workers' music 3. Bush as outsider: music and communism in wartime 4. Building in the rubble: the winter journey and Lidi¿e 5. Bush as Stalinist: the year 1948 6. Bush and the self: Wat Tyler's rituals of becoming 7. Bush and East Germany: opera, sex, and the communist body.
Introduction 1. Bush as modernist: material and performance 2. Bush as activist: the idea of workers' music 3. Bush as outsider: music and communism in wartime 4. Building in the rubble: the winter journey and Lidi¿e 5. Bush as Stalinist: the year 1948 6. Bush and the self: Wat Tyler's rituals of becoming 7. Bush and East Germany: opera, sex, and the communist body.
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