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  • Format: ePub

GET HIGH. FALL FAR.
'Big treat in store for fans. And if you're not a fan yet, why not?' Val McDermid
'Utterly nails the myth of the Swinging Sixties' Sun

The Black Sheep

The wayward son of a rising MP is mutilated and burnt in suspicious circumstances.
The Honest Detective
DS Cathal Breen dodges political embargo and death threats to pursue the case.
The Rolling Stone
Notorious art dealer Robert Fraser may provide the only clue - if only he will talk.
And as Breen slips deeper into London's underground of hippies and heroin, he edges nearer to the
…mehr

  • Geräte: eReader
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Produktbeschreibung
GET HIGH. FALL FAR.

'Big treat in store for fans. And if you're not a fan yet, why not?' Val McDermid
'Utterly nails the myth of the Swinging Sixties' Sun


The Black Sheep

The wayward son of a rising MP is mutilated and burnt in suspicious circumstances.

The Honest Detective

DS Cathal Breen dodges political embargo and death threats to pursue the case.

The Rolling Stone

Notorious art dealer Robert Fraser may provide the only clue - if only he will talk.

And as Breen slips deeper into London's underground of hippies and heroin, he edges nearer to the secrets of those at the very top. Banished from a corrupt and fracturing system, he will finally be forced to fight fire with fire.


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Autorenporträt
William Shaw has been shortlisted for the CWA Historical Dagger, longlisted for the Theakstons Crime Novel of the Year and nominated for a Barry Award. A regular at festivals, he organises panel talks and CWA events across the south east. Shaw is the author of the acclaimed Breen & Tozer crime series: A Song from Dead Lips, A House of Knives, A Book of Scars and Sympathy for the Devil; and the standalone bestseller The Birdwatcher. He is writing a new crime series starring the character DS Alexandra Cupidi from The Birdwatcher, the first of which is Salt Lane. He worked as a journalist for over twenty years and lives in Brighton.
Rezensionen
Insightful . . . a novel about the estrangement of fathers and sons, but Shaw has gone beyond that, creating an elegy for an entire alienated generation New York Times