Set within the broader context of post-war Austria and the re-education initiatives set up there by the Allied forces, particularly the USA, this book investigates the art and architecture scene in Vienna to ask how this can inform our broader understanding of architectural Postmodernism.
Set within the broader context of post-war Austria and the re-education initiatives set up there by the Allied forces, particularly the USA, this book investigates the art and architecture scene in Vienna to ask how this can inform our broader understanding of architectural Postmodernism.
Eva Branscome teaches architectural history at University College London in both the Bartlett School of Architecture and the Department of History of Art, where her interdisciplinary research interests cover the intersection of art and architecture. Previously she worked in heritage conservation, protecting buildings of the twentieth century.
Inhaltsangabe
Introduction 1. The Project Postmodernism and its Midwives 2. Setting the Scene 3. On an American Stage 4. The Austrian Avant-Garde in Vienna: Monsignore Mauer and the Galerie St. Stephan 5. Bau or to build a magazine: Hollein's Architecture as Media Conclusion
Introduction 1. The Project Postmodernism and its Midwives 2. Setting the Scene 3. On an American Stage 4. The Austrian Avant-Garde in Vienna: Monsignore Mauer and the Galerie St. Stephan 5. Bau or to build a magazine: Hollein's Architecture as Media Conclusion
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