Erin E. Benay is Climo Junior Professor of Renaissance and Baroque Art, Department of Art History, Case Western Reserve University, OH.
Inhaltsangabe
Director's Foreword 1. Acknowledgments 2. 1 Preface: Why Caravaggio? 3. Introduction 4. Part I. Caravaggio in Spanish Naples 5. Becoming Caravaggio 6. Martyring Saint Andrew 7. Caravaggio and the Myth of Naples 8. From Court to Cult: Viceregal Patronage in Seventeenth-Century Naples 9. Part II. From Naples to Valladolid 10. Collecting Caravaggio in Spain 11. Painting Caravaggio: Technique and Conservation in the Crucifixion of Saint Andrew 12. Authentic Replicas 13. Conclusion: Mobility and Stasis in the Art of Caravaggio 14. Notes 15. Bibliography 16. Photo Credits 17. The Cleveland Museum of Art Board of Trustees
Director's Foreword 1. Acknowledgments 2. 1 Preface: Why Caravaggio? 3. Introduction 4. Part I. Caravaggio in Spanish Naples 5. Becoming Caravaggio 6. Martyring Saint Andrew 7. Caravaggio and the Myth of Naples 8. From Court to Cult: Viceregal Patronage in Seventeenth-Century Naples 9. Part II. From Naples to Valladolid 10. Collecting Caravaggio in Spain 11. Painting Caravaggio: Technique and Conservation in the Crucifixion of Saint Andrew 12. Authentic Replicas 13. Conclusion: Mobility and Stasis in the Art of Caravaggio 14. Notes 15. Bibliography 16. Photo Credits 17. The Cleveland Museum of Art Board of Trustees
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