Susana Draper puts the events and aftermath of 1968 Mexico into a global picture and counters the dominant cultural narratives of 1968 by giving voice to the Mexican Marxist philosophers, political prisoners, and women who participated in the movement and inspired alternative forms of political participation.
Susana Draper puts the events and aftermath of 1968 Mexico into a global picture and counters the dominant cultural narratives of 1968 by giving voice to the Mexican Marxist philosophers, political prisoners, and women who participated in the movement and inspired alternative forms of political participation.
Preface ix Acknowledgments xv Introduction. The Movement of 1968 1 1. The Philosophical and Literary Configuration of '68: José Revueltas on Cognitive Democracy and Self-Management 35 2. The Effects of '68 on Cinema: The Image as a Place of Political Intervention 91 3. Where are the Women of '68? Fernanda Navarro and the Materialism of Uncomfortable Encounters 127 4. Remembrances from the Women's Prison and the Popular Preparatory: Of Freedom and Imprisonment by Roberta "La Tital" Avendaño and Ovarimony by Gladys López Hernández 157 Conclusion. '68 After Ayotzinapa 191 Notes 199 Bibliography 229 Index 245
Preface ix Acknowledgments xv Introduction. The Movement of 1968 1 1. The Philosophical and Literary Configuration of '68: José Revueltas on Cognitive Democracy and Self-Management 35 2. The Effects of '68 on Cinema: The Image as a Place of Political Intervention 91 3. Where are the Women of '68? Fernanda Navarro and the Materialism of Uncomfortable Encounters 127 4. Remembrances from the Women's Prison and the Popular Preparatory: Of Freedom and Imprisonment by Roberta "La Tital" Avendaño and Ovarimony by Gladys López Hernández 157 Conclusion. '68 After Ayotzinapa 191 Notes 199 Bibliography 229 Index 245
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