As people from all backgrounds and cultures criss-cross the globe with an ever-growing series of pushes and pulls guiding their movements, this book explores contemporary artists who have sought to include and represent refugees in their theatre work.
As people from all backgrounds and cultures criss-cross the globe with an ever-growing series of pushes and pulls guiding their movements, this book explores contemporary artists who have sought to include and represent refugees in their theatre work.
Emma Cox is a Reader in the Department of Drama, Theatre and Dance at Royal Holloway, University of London.
Inhaltsangabe
Introduction: performance and migration 1. Migratory aesthetics and postmigrant performance 2. Being second generation: Australian-Indian performers Raina Peterson and Sonya Suares in dialogue 3. Good Chance Theatre: margins and main stages 4. The heat signatures of refugee transit: Incoming by Richard Mosse
Introduction: performance and migration 1. Migratory aesthetics and postmigrant performance 2. Being second generation: Australian-Indian performers Raina Peterson and Sonya Suares in dialogue 3. Good Chance Theatre: margins and main stages 4. The heat signatures of refugee transit: Incoming by Richard Mosse
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