Through the feature films and documentaries of directors including Emmer, Erice, Godard, Hitchcock, Pasolini, Resnais, Rossellini and Storck, the author examines the way films 'animate' artworks by means of cinematic techniques, such as camera movements and editing, or by integrating them into a narrative.
Through the feature films and documentaries of directors including Emmer, Erice, Godard, Hitchcock, Pasolini, Resnais, Rossellini and Storck, the author examines the way films 'animate' artworks by means of cinematic techniques, such as camera movements and editing, or by integrating them into a narrative.
Steven Jacobs teaches film history and film theory at Ghent University and the University of Antwerp.
Inhaltsangabe
List of Illustrations Preface Acknowledgements 1. Camera and Canvas: Emmer, Storck, Resnais and the Post-War Art Film 2. Vasari in Hollywood: Biopics and Artists 3. Galleries of the Gaze: Museums in Rossellini's Viaggio in Italia and Hitchcock's Vertigo 4. Tableaux Vivants 1: Painting, Film, Death and Passion Plays in Pasolini and Godard 5. Tableaux Vivants 2: Film Stills and Contemporary Photography 6. The Video That Knew Too Much: Hitchcock, Contemporary Art and Post-Cinema Appendix Bibliography Index
List of Illustrations Preface Acknowledgements 1. Camera and Canvas: Emmer, Storck, Resnais and the Post-War Art Film 2. Vasari in Hollywood: Biopics and Artists 3. Galleries of the Gaze: Museums in Rossellini's Viaggio in Italia and Hitchcock's Vertigo 4. Tableaux Vivants 1: Painting, Film, Death and Passion Plays in Pasolini and Godard 5. Tableaux Vivants 2: Film Stills and Contemporary Photography 6. The Video That Knew Too Much: Hitchcock, Contemporary Art and Post-Cinema Appendix Bibliography Index
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309