Basics Film-Making: Screenwriting is the second in the Basics Film-Making series and is aimed both at students on film production courses, as well as those wishing to write a short film. The book teaches the key elements of screenwriting through examining areas such as dialogue, sound, setting, shots and structure. It also provides advice to new film-makers on how to market their productions. This is an essential guide to screenwriting and will teach you to write and produce artistically satisfying shorts.
Basics Film-Making: Screenwriting is the second in the Basics Film-Making series and is aimed both at students on film production courses, as well as those wishing to write a short film. The book teaches the key elements of screenwriting through examining areas such as dialogue, sound, setting, shots and structure. It also provides advice to new film-makers on how to market their productions. This is an essential guide to screenwriting and will teach you to write and produce artistically satisfying shorts.
Robert Edgar-Hunt is programme head of Film and TV Production at York St John University. He also practises as a screenwriter and has research interests in creative writing, postmodernism and film directing. John Marland is senior lecturer in Film and TV Production at York St John University. His research interests include the relationship between film and psychoanalysis. James Richards is a lecturer in Screenwriting at York St John University and a freelance writer for television, film and radio as well as journalism and corporate videos. He won a Bafta award and has worked as a writer and script editor on soaps, dramas and documentaries.
Inhaltsangabe
How to get the most out this book. Introduction. What is screenplay?: The screenwriter Writing for the screen What is script? Script forms - feature film/short film Good practice Finding your ideas. Concept/Treatment/Pitch: Essential elements of storytelling Genre/form Log lines Treatment Step treatment The pitch Script formats. First draft: Character Creating the world The physical world - mise en scene Action Tone and genre Dialogue. Second draft: Writing the second draft Whose story is this? Voice-over Making dialogue convincing How do I explain what's happening? Refining dialogue Mise en scene - next steps Beginnings and endings. Script editing: Critiquing and feedback Analysis: character and world Analysis: action, interaction and structure Analysis: word and image Analysis: closure/ambiguity After effects and meaning. Screenwriters: unscripted 144: Alisha McMahon James Condon Thomas Gladstone and Alexander Johnson Alexander Woodcock Mark Herman. Conclusion. Glossary. A Nice Cup of tea complete drafts. Picture credits. Acknowledgements.
How to get the most out this book. Introduction. What is screenplay?: The screenwriter Writing for the screen What is script? Script forms - feature film/short film Good practice Finding your ideas. Concept/Treatment/Pitch: Essential elements of storytelling Genre/form Log lines Treatment Step treatment The pitch Script formats. First draft: Character Creating the world The physical world - mise en scene Action Tone and genre Dialogue. Second draft: Writing the second draft Whose story is this? Voice-over Making dialogue convincing How do I explain what's happening? Refining dialogue Mise en scene - next steps Beginnings and endings. Script editing: Critiquing and feedback Analysis: character and world Analysis: action, interaction and structure Analysis: word and image Analysis: closure/ambiguity After effects and meaning. Screenwriters: unscripted 144: Alisha McMahon James Condon Thomas Gladstone and Alexander Johnson Alexander Woodcock Mark Herman. Conclusion. Glossary. A Nice Cup of tea complete drafts. Picture credits. Acknowledgements.
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