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* NEW YORK TIMES BESTSELLER*

'Savage, funny, frequently on the verge of teetering into lunacy...' Vogue

Discover this deliciously dark satire on modern privilege from the Booker-shortlisted author of Eileen
It's the year 2000 in a city aglitter with wealth and possibility; what could be so terribly wrong?
Our narrator has many of the advantages of life: Young, thin, pretty, a recent Columbia graduate, she lives in an apartment on the Upper East Side of Manhattan paid for, like everything else, by her inheritance. But there is a vacuum at the heart of things, and it
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Produktbeschreibung
*NEW YORK TIMES BESTSELLER*

'Savage, funny, frequently on the verge of teetering into lunacy...' Vogue

Discover this deliciously dark satire on modern privilege from the Booker-shortlisted author of Eileen

It's the year 2000 in a city aglitter with wealth and possibility; what could be so terribly wrong?

Our narrator has many of the advantages of life: Young, thin, pretty, a recent Columbia graduate, she lives in an apartment on the Upper East Side of Manhattan paid for, like everything else, by her inheritance. But there is a vacuum at the heart of things, and it isn't just the loss of her parents in college, or the way her Wall Street boyfriend treats her, or her sadomasochistic relationship with her alleged best friend.

Blackly funny, both merciless and compassionate - dangling its legs over the ledge of 9/11 - My Year of Rest and Relaxation is a showcase for the gifts of one of America's major young writers.


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  • Produktdetails
  • Verlag: Random House
  • Seitenzahl: 304
  • Erscheinungstermin: 12.07.2018
  • Englisch
  • ISBN-13: 9781473549548
  • Artikelnr.: 49398451
Autorenporträt
Ottessa Moshfegh is a fiction writer from New England. Her first book, McGlue, a novella, won the Fence Modern Prize in Prose and the Believer Book Award. She is also the author of the short story collection Homesick for Another World. Her stories have been published in The Paris Review, The New Yorker, and Granta, and have earned her a Pushcart Prize, an O. Henry Award, the Plimpton Discovery Prize, and a grant from the National Endowment for the Arts. Eileen, her first novel, was shortlisted for the National Book Critics Circle Award and the Man Booker Prize, and won the PEN/Hemingway Award for debut fiction; My Year of Rest and Relaxation, her second novel, was a New York Times bestseller.
Rezensionen
"Ottessa Moshfegh’s unnerving and compelling new novel, My Year of Rest and Relaxation… percussively hammered out in her flawless, rhythmic prose… concludes with a startlingly, unexpectedly beautiful passage… radical, urgent, and more painfully wise than perhaps we would like to admit."
Named a best book of the year by The Washington Post, Time, The New York Times, Amazon, Buzzfeed, GQ, The Huffington Post, Vice, NPR, LitHub, The Guardian, San Francisco Chronicle, Entertainment Weekly

A New York Times bestseller

"I don't think I'm ever going to get over Ottessa Moshfegh's My Year of Rest and Relaxation." Parul Sehgal, The New York Times

Ottessa Moshfegh is easily the most interesting contemporary American writer on the subject of being alive when being alive feels terrible. She has a freaky and pure way of accessing existential alienation, as if her mind were tapped directly into the sap of some gnarled, secret tree . . . Watching Moshfegh turn her withering attention to the gleaming absurdities of pre-9/11 New York City, an environment where everyone except the narrator seems beset with delusional optimism, horrifically carefree, feels like eating bright, slick candy candy that might also poison you. Jia Tolentino, The New Yorker

Darkly comic and ultimately profound new novel. . . Moshfegh s extraordinary prose soars as it captures her character s re-engagement. Vendela Vida, The New York Times Book Review

Because this is a novel by the superabundantly talented Moshfegh she s an American writer of Croatian and Iranian descent we know in advance that it will be cool, strange, aloof and disciplined. The sentences will be snipped as if the writer has an extra row of teeth . . . Moshfegh writes with so much misanthropic aplomb, however, that she is always a deep pleasure to read. She has a sleepless eye and dispenses observations as if from a toxic eyedropper . . . Though this novel is set nearly 20 years ago, it feels current. The thought of sleeping through this particular moment in the world s history has appeal. Dwight Garner, The New York Times

Just finished My Year of Rest and Relaxation, by Ottessa Moshfegh: caustic, funny, dark addition to the lineage of unlikeable female protagonists (by Mona Awad, Sheila Heti, Anita Brookner, Jean Rhys, Emily Bronte...+ grandmamas Lady MacBeth + Medea)" Margaret Atwood via Twitter

The bravado in Moshfegh s comprehensive darkness makes her novels both very funny and weirdly exhilarating . . . As in Eileen, Moshfegh excels here at setting up an immediately intriguing character and situation, then amplifying the freakishness to the point that some rupture feels inevitable. Her confidence never flags; hers are the novels of a writer invigoratingly immune to uncertainty and self-doubt. Slate

One of the most compelling protagonists modern fiction has offered in years: a loopy, quietly furious pillhead whose Ambien ramblings and Xanaxed bitcheries somehow wend their way through sad and funny and strange toward something genuinely profound. Entertainment Weekly, Best Books of 2018

A strange, exhilarating triumph . . . Moshfegh writes with a singular wit and clarity that, on its own, would be more than enough. (Her 2015 debut, Eileen, was shortlisted for the Man Booker Prize, and Rest has already been optioned for film by Australian actress Margot Robbie). But the cumulative power of her narrative and the sharp turn she takes in its last 30 pages becomes nothing less than a revelation: sad, funny, astonishing, and unforgettable. Entertainment Weekly

Moshfegh s tale of self-care gone off the rails is a caustically funny skewering of artistic pretension and consumption, but also a meditation on grief, privilege and social cohesion. Huffington Post

The most exciting book of 2018 is about a girl sleeping for a year . . . Ingenious, darkly comedic . . . The novel speeds to the best last page of any book I ve likely ever read. Vice

This book isn t just buzzy and maniacally entertaining it s a mean-spirited, tenderhearted masterpiece. New York Post

My Year of Rest and Relaxation is the most poignant, vulnerable, mature, and dare I say it? sincere work that its gifted author has yet produced. Boston Globe

In flat, deadpan, unembellished prose recalling the cadences of Joan Didion and the clear-eyed candor of Mary Gaitskill, Moshfegh portrays the vacuous interior life (she has virtually no exterior life) of a narcissistic personality simultaneously self-loathing and self-displaying . . . My Year of Rest and Relaxation is most convincing as an urbane dark comedy, sharp-eyed satire leavened by passages of morbid sobriety, as in a perverse fusion of Sex and the City and Requiem for a Dream. Joyce Carol Oates, The New York Review of Books

Bizarrely fascinating . . . Moshfegh knows how to spin perversity and provocation into fascination, and bleakness into surprising tenderness. NPR

It s another acerbic character study from an author making a career out of bringing absurdly unlikable people to life. No one can discomfit a reader quite like her. A.V. Club

One of the pleasures of reading Ottessa Moshfegh is that unusually, these days she rarely writes in the present tense. Instead, the sense of immediacy, the sense of being inside a character, the sense of things happening and having psychic value, both to the writer and her reader, is provided by the structure and content of her sentences. . . . One of the other pleasures of reading Moshfegh is her relentless savagery. All this is delivered as comic it is comic but it s not exactly funny, though of course we laugh. Guardian

Darkly hilarious . . . [Moshfegh s] the kind of provocateur who makes you laugh out loud while drawing blood. Vogue

Electrifying. . . a reminder that there is something to life outside the economic exchange of time for money and money for goods, even if that unnamed thing is obscure and perplexing and just a bit monstrous particularly as a woman. Literature may not have the all the answers, but it can show us the power and allure of saying no. Vanity Fair

I was cringing during every moment of Ottessa Moshfegh s My Year of Rest and Relaxation, and yet I could not put the book down . . . It is mostly, almost by juxtaposition, about the realness of a more subtle and very private expression of pain, no matter the cause, no matter how seemingly trivial. That s what kept me reading even as my cringing muscles grew sore: feeling in my screwed-up face, barked laughs, and watery eyes the translation of that private kind of pain into something I could share. Claire Benoit, The Paris Review

There s a casually intimidating power to Moshfegh s writing the deadpan frankness and softly cutting sentences that makes any comparison feel not quite right. Anne Diebel, London Review of Books
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